There is nothing quite like designing a print and seeing it come to life.

The Designer
I trained at Atelier Textile in Montreal — a school-workshop dedicated entirely to textile design and print. During those years I learned my craft from the ground up: colour theory, how to build a repeat print, and the discipline and patience of working with fabrics.
After graduating, I was hired as a technician in the textile department at Cirque du Soleil. For years I hand-dyed fabrics, screen printed, and hand-painted fabrics for the costumes of the athletes and acrobats, collaborating closely with other creators — seamstresses, pattern designers — to bring extraordinary costumes to life. This is where I truly honed my craft.
During those same years, I was running a small atelier out of my basement in Montreal on evenings and weekends. Hand printing, finishing, and packaging every piece — every tea towel folded and wrapped carefully by hand — sold to multiple stores across Montreal. It was a lot of hard work and dedication, and I loved it.
The dream of making beautifully designed, truly well-made linen tea towels available to people everywhere in the world has been with me from the very beginning.
I hope these tea towels find a place in your home — and that you get to experience the quiet pleasure of owning something that only gets better with time.
Every print begins with an idea. For this collection, that idea came from the flax flower itself — its delicate petals, its soft colour in the field, and the quiet beauty of a plant that has clothed humanity for thousands of years.
These designs are rooted in traditional textile history — stripes, botanicals, repeat florals — that have been relevant for centuries and will remain so long after any trend moves on.
100% European linen. The finish on a cloth matters just as much as the product itself.
This is not just decorative. It goes in the kitchen and gets used every day. It gets better the more it’s washed — softer, more supple, more at home.